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(Project 10 / 10)

Exhibition — Art Direction, Editorial

Glasgow — 2023

All work10 / 10

Open Room

An exhibition of contemporary design, written for the visitor.

Year
2023
Services
  • Exhibition graphics
  • Catalogue
  • Campaign
Client
Open Room
Year
2023
Services
  • Exhibition graphics
  • Catalogue
  • Campaign
Client
Open Room
Three framed works hung on a white gallery wall above a bench
Open Room exhibition poster

(Overview)

Open Room is a ten-week exhibition of contemporary furniture, objects and graphic design by makers working in Scotland, held in a former tram depot in Glasgow. We designed the exhibition graphics, the catalogue and the campaign, working with the curators from the first room plan.

Design exhibitions often assume visitors already know the field. The curators wanted a show that someone who came in to shelter from the rain could follow, so every decision started with the label rather than the poster.

The identity is built from three solid shapes in the depot’s original paint colours. They mark the three sections of the show, each with its own colour, on the walls, in the catalogue and on the tickets.

A dark sphere on a white plinth
Fig. 01 — Section two, “Objects”. Plinth labels sit at seated eye level.
A visitor standing in front of a blue work in the gallery
Fig. 02 — Section one, “Rooms”. Wall text is never more than 60 words.

Write labels for the visitor, not the lender.

Exhibition catalogue, closed and open

(Catalogue)

A catalogue that works as a guide on the day.

The 96-page catalogue follows the route through the depot, room by room, and fits in a coat pocket. Each work has one photograph, one paragraph from the maker and the label number used on the wall, so the book and the room can be read together.

Open Room exhibition poster with a black block and a red circle
Fig. 03 — Campaign poster. The shapes stand in for the three sections.
Corner of the depot where two walls meet
Fig. 04 — The depot before install, used for the first teaser

(Labels & wayfinding)

Labels are set large enough to read without stepping over the barrier line, and each one answers the same three questions in the same order: who made it, what it’s made of, and why it’s here. Large-print and audio versions use the same numbering.

The route is marked on the floor in the colour of each section, so visitors know where they are without reading a map.

Outcome: [X] visitors over ten weeks, with the catalogue reprinted in week [Y].

The comments book was full of people saying they didn’t think design was for them, until now.

Lead curator, Open Room

Credits

Client
Open Room, Glasgow
Exhibition graphics
Morrow Studio
Catalogue & campaign
Morrow Studio
Curation
[Curator names]
Exhibition build
[Fabricator name]
Photography
[Photographer name]

(Overview)

A ten-week exhibition of contemporary furniture, objects and graphic design, held in a former tram depot in Glasgow. We designed the graphics, catalogue and campaign.

The curators wanted a show that someone sheltering from the rain could follow, so every decision started with the label rather than the poster.

Three framed works on a gallery wall
Fig. 01Section one, “Rooms”: wall text under 60 words
A visitor in front of a work
A sphere on a plinth

Write labels for the visitor, not the lender.

Exhibition catalogue, closed and open

(Catalogue)

A catalogue that works as a guide on the day.

96 pages, pocket-sized, following the route room by room. Each work has one photograph, one paragraph from the maker and the label number used on the wall.

(Labels & wayfinding)

Every label answers the same three questions in the same order: who made it, what it’s made of, why it’s here. The route is marked on the floor in each section’s colour.

Outcome: [X] visitors over ten weeks; the catalogue was reprinted in week [Y].

The comments book was full of people saying they didn’t think design was for them, until now.

Lead curator, Open Room

Credits

Client
Open Room
Graphics & catalogue
Morrow Studio
Curation
[Curators]
Photography
[Photographer]
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